Sunday, November 30, 2014
Brooklyn keeps on making it, Queens keeps on creating it, Manhattan keeps on faking it, and the Bronx keeps on taking it?
Hip-Hop heads all know BDP's infamous diss,"Manhattan keeps on making it, Brooklyn keeps on taking it
Bronx keeps creating it, and Queens keeps on faking it." The following documentary "Founding Fathers: The Untold Story of Hip-Hop", on the surface, is a film about Brooklyn and Queens DJs refuting the Bronx's claim to fame as ground zero for Hip-Hop Culture. Despite the bravado and to be honest almost defensive vibe of the interviewees, this film is really a heartfelt piece about the love, friendship and ingenuity of early DJs and sound system crews that brought the communities of Brooklyn and Queens together for a few heady years in the early to late 70s. The film also, unwittingly, raises the question, why wasn't engineering established as one of the pillars/elements of Hip-Hop? The demand for more bass and ease of DJing pushed these early DJs to forward new forms of sound amplification and innovate technology that allowed to blend and mix with greater skill and precision. Lets hope this film reaches far and wide and helps assure the people in it a prominent place in the history of Hip-Hop.
Friday, November 4, 2011
Monday, October 3, 2011
Orlandivo 1977

Orlandivo
(vocal, production)
Joao Donato
(piano, organ, electric piano, clavinet, arrangements)
Alex Malheiros
(bass)
Ivan Conti "Mamao", Papao
(drums)
Helcio Milito, Chico Batera, Ariovaldo, Hermes
(percussion)
Antenor
(surdo)
No
(cuica)
Geraldo Bongo
(bongo)
Durval Ferreira, Ze Menezes
(violao, guitar)
Airton Barbosa
(bassoon)
Sivuca
(accordion)
Copinha, Geraldo
(flute)
Luna, Suzana
(backing vocals)
Track List
01 - Tudo Jóia (Orlandivo / Durval Ferreira)
02 - Um Abraço no Bengil (Orlandivo / Durval Ferreira)
03 - Gueri-gueri (Orlandivo / Durval Ferreira)
04 - Tamanco no Samba (Orlandivo / Hélton Menezes)
05 - Juazeiro (Orlandivo / Durval Ferreira / Chico Anísio)
06 - Onde Anda o Meu Amor (Orlandivo / Roberto Jorge)
07 - Disse Me Disse (Orlandivo / Durval Ferreira / Chico Anísio)
08 - Palladium (Ed Lincoln / Orlandivo)
09 - Bolinha de Sabão (Orlandivo / Adilson Azevedo)
10 - A Felicidade (Tom Jobim / Vinicius de Moraes)
Link
Thursday, September 29, 2011
Forro and Reggae Dancing Styles
Forró Brazuca: Forró pra fazer a moçada suar do gogó ao mocotó! (Forro to make the girls sweat from their neck to their ankles)
Forró Brazuca is a Bay Area Brazilian band that specializes in roots music from the Northeast of Brazil. Z'Amico, my Brazilian Reggae project will be performing with Forro Brazuca on Oct 21rst at Ashkenaz in South Berkeley.
Here is some background on Forró and a glimpse of new Reggae/Forró styles that are emerging in Brazil.
Forró is a catch-all term like salsa that represents several diverse styles. The most common Forro rhythms have a lot in common with reggae. The Xote (from Shottische, the Bohemian Polka that was popular in the 1850s) has an island "one-drop" feel and is commonly danced by couples. Not surprisingly, a lot of Northeasterners dance reggae as if it were a Xote. Some call this the Maranhense dance style, coming from the state of Maranhao, the reggae capital of Brazil. Here is a clip of the "Maranhense" or Northeast style being danced in Alagoas:
Here is another clip of the style from San Luis, Maranhao:
Here is a clip of some early dancehall from Jamaica with couples dancing inna a rub-a-dub style.
Some rhythms just make you wanna wind up your waist!
Friday, September 23, 2011
Teleco-Leco-Eletro

Here are some Brazilian inspired lounge and dance tracks borrowing from Drum and Bass, Bossa, Samba, Soul, Hip-Hop, Dub and Reggae. These are thoroughly modern Brazilian styles pioneered by people like Marcelinho da Lua, Marcelo D2, Amon Tobin and Chico Science. Check it out.....
link
Thursday, June 23, 2011
Wednesday, May 4, 2011
Viagens 77

The Second Festival of Black & African Arts and Culture of 1977 (FESTAC 77) in Lagos, Nigeria was essentially Africa and the African Diaspora's answer to the World's Fair. While the World's fair fetishized the Exotic "Other" for the consumption of Europeans and Americans, FESTAC 77 was an entirely different cultural project however flawed it may have been. The ideas was to bring Africans, and people of African descent together in order to rediscover their roots as well as establish ties with and within Motherland Africa.
Nigeria's rebel son, Fela Kuti, openly critized and refused to perform at FESTAC 77 because of the Nigerian military dictatorship's sponsership of the event. He organized at counter-FESTAC 77 and many international black luminaries made their way to his Lagos Shrine, such as Stevie Wonder, Gilberto Gil, Bob Marley, Bembeya Jazz, Roy Ayers and Sun Ra.
This eclectic mix is inspired by those legendary cultural jam sessions that occured on the FESTAC 77 main stage and the after hours ones that happened at Fela's Kalakuta Republic and the Shrine.
This is essentially a world music mix from a Brazilian perspective with rhythms and sounds you don't hear on typical Brazilian compilations. It ventures into some lesser known territory such as Samba-Chula, Griot Music, Afro-beat, Frevo, Ciranda, Marchas, Afoxe/Gnawa, Guinea-Bissau Gumbe and more.....enjoy!
"Coral" - Moreno Veloso/Sadjo Djolo Koiate
"Axe Gnawa" - Celso Machado
"Alegria Menina" - Djavan
"Ciranda de Mae Nina" - Alceu Valença & Geraldo Azevedo
"Chuva, Suor e Cerveja"- Caetano Veloso
"Desejo de Amar" - Raimundo Sodre
"Balafon" - Gilberto Gil
"Tira Mao da Minha Xuxa" - Martinho Da Vila
"Estrela Radiante" - Fafa de Belem
"Samba pra Mocas" - Zeca Pagodinho
"Quem não te Conhece é que te compra (Tiro no escuro)"- Xango da Mangueira
"Quando eu vejo a Margarida"- Manezinho Araujo
"Coração Imprudente" - Paulinho da Viola
"Charles Anjo 45" - Jorge Ben e Caetano Veloso
"Saudosa Maloca" - Os Originais Do Samba
"Do Jeito Que Rei Mandou" - Escrete Do Samba
"Som Africano" - Martinho Da Vila
"Clima Quente" - Carlinhos Brown
"O Circo" - Copa 7
"Que Legal" Tim Maia
"La Mulata" Emilio Santiago
link
Tuesday, April 26, 2011
Funky Rio: Rhodes, Sanfonas and Cuicas

Here are some groove heavy tunes that I think you all will enjoy from 1970's Rio. Samba, Batucada, Samba-funk, Funked-up Forro are all in the mix. One of the threads that ties this collection of songs together is the bass playing of Moacyr Albuquerque. Moacyr is one of Brazil's heaviest bass players and recorded with everybody from Gil to Chico Buarque. Check it out and let me know what you think....
"Mambembe"- Chico Buarque
"Jubiaba" - Martinho da Vila
"Tema de Azambuja" - Azambuja e CIA (Chico Anisio e Arnaud Rodrigues)
"Jhony" - Tim Maia
"Agora e Moda" - Rita Lee e Tutti Frutti
"O Gosto do Amor"- Gal Costa e Luiz Gonzaga
"Fofoqueira"- Copa 7
"Juazeiro"- Orlandivo
"Tres Macacos"- Baiano e Novos Caetanos (Chico Anisio e Arnaud Rodrigues)
"Nao Tem Jeito que De Jeito" - Dominguinhos
"Menino Triste"- Raimundo Sodre
"Refavela" - Gilberto Gil
"Chega Mais" - Wando
"Tenha Fé, Pois Amanhã Um Lindo Dia Vai Nascer" - Os Originais Do Samba (J. Ben)
"Malandro e Malandro" - Escrete Do Samba
"A Danca do Cafune" - Zuzuca
"Estilo Classico" - Paulinho e Sua Bateria
"Batucada"- unknown (Songs From Brazil)
link
Tuesday, April 19, 2011
Brazilian Reggae Repetoire


1. Nativus-"Deixa O Menino Jogar"
2. Ponto de Equilibre-"Arvore de Reggae(Reggae Raiz)" (starts 3:27)
3. Ale Muniz-"Maguinha do Saviana"(Starts 7:08)
4. Gilberto Gil-"A Novidade" (Starts 11:00)
link
Tuesday, April 12, 2011
Samba-Funk, Samba and Forro repetoire

Here is a mix of Samba Funk, Samba and Forro for Z'Amico musicians and anyone else who likes good Brazilian tunes.
Samba-Funk or Samba-Rock
1. Wando-"Nega"
2. Djavan-"Maria da Mercedes" (starts at 3:45)
3. Seu Jorge-"Carolina" (starts at 6:33)
4. Jorge Ben-"O namorado da Viuva" (Starts at 11:11)
5. Marisa Monte-"Balanca Pema" (starts at 13:12)
Samba
6. Martinho da Vila-"Disritmia" (Starts at 16:15)
7.Ataulfo Alves- "Sei que e Covardia....Mas"(18:39)
8. Tom Ze- "Augusta, Angelica e Consolacao"(21:42)
Forro
9. Luiz Gonzaga-"Sabia" (25:23)
10.Gilberto Gil-"Juazeiro" (27:48)
11. Eddie-"Retrato de Um Forro (Quando Tu Balanca)(31:21)
12. Seu Jorge- "Suor de Pele Fina" (34:19)
13. Djavan-"Maca de Rosto" (38:04)
14. Falamansa-"Xote dos Milagres" (41:17)
Notes
The music for Martinho da vila's "Disritmia" is pretty involved and can be found at:
http://books.google.com/books?id=g5FuSf3kY7gC&pg=PA50&lpg=PA50&dq=disritmia+martinho+da+vila+cifra&source=bl&ots=SDAyTS45dZ&sig=mj5xVHhtnHZh0-WmEy73Q1hEEXM&hl=en&ei=83ztSe_zMo6-tAPHyfXgAQ&sa=X&oi=book_result&ct=result&resnum=6#v=onepage&q&f=false
Link to Download Chords, Lyrics and music:
link to Download Mix:
Sunday, April 10, 2011
Lullabies For Ellison

A dreamland mix for Ellison, the first child of a good friend of mine
Lenine(Brazil)-O Ultimo Por-Do-Sol
Gal Costa (Brazi)- O Bem do Mar
Forward Kwenda(Zimbabwe)
Baden Powell (Brazil)-'Round Midnight
Air (France)-La Femme D'argent
Marisa Monte (Brazil)-Pelo Tempo Que Durar
Satie(France)- Gnossiennes- 2. Avec Etonnement
John Coltrane (USA)-After the Rain
Marvin Gaye (USA)-After the Dance (Instrumental)
Robert Drasnin (USA)-Chant of the Moon
link
Thursday, July 8, 2010
Kinshasa, Zaire 1973
WORLD CUP SOUTH AFRICA 2010 WORLD CUP SOUTH AFRICA
"The Leopards" are the national team of the Democratic Republic of Congo. In 1974 when Congo DR was known as Zaire between (1971-1997) they were the first black African team to qualify for the World Cup. This song, sung in Lingala by the legendary Trio Madjesi and played in the scintillating Congolese Rhumba style, is in honor of that team.
This song heats up at 2:50, where the band moves into the "sebene". The sebene, from the english word seven, is an instrumental bridge on which one or two musicians develop arpeggios in circular progressions while another improvises around them. The sebene has forever been common to music for Congolese harps, lutes, thumb pianos and xylophones. Congolese rhumba pioneers adapted traditional structures to two or three guitars and borrowed some ideas from the interplay of the Spanish guitar and the trés in Cuban sones and guajiras.
Guitarists such as Franco, Papa Noel, Nico Kassanda and Nico's brother Dechaud—picked up electric guitars and a few tricks from rock 'n' roll, Western swing and Hawaiian music, and heated up and stretched out their sebenes. The typical rumba congo of the '60s and '70s tended to start at a moderate tempo, shift up for the chorus and then hit cruising speed for the sebene.
The contrasting rhythms gave rise to dances like boucher, mossaka, kiri-kiri (which actually slowed down for the sebene) and, in 1968, soukous, which was defined by a particularly emphatic midsong rhythmic change, when the dancers started shaking and the guitarists rocked out. Though three-minute singles still dominated the Congolese record market in the late '60s, bands playing live could extend the sebene indefinitely. In the '70s bands like Franco's T.P.O.K. Jazz and new-school Zaiko Langa Langa brought as many as five guitar parts (basse, accompagnement, mi-composé, mi-solo and solo) into sebenes that sometimes went on for 15 or 20 increasingly exciting minutes, creating what was called beau désordre—"beautiful chaos."
Braun, Ken. Soukous. National Geographic. http://worldmusic.nationalgeographic.com/view/page.basic/genre/content.genre/soukous_790/en_US
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Brasil vs. Zaire in the 1974 World Cup, West Germany.
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Monday, June 21, 2010
The Mission, San Francisco
Saturday, June 19, 2010
Northeast, Brazil
Funky, freaky Forro and psychedelic roots music from the northeast of Brazil. The Northeast is the oldest and most mixed up, mashed up part of Brazil and the music reflects this. Central/West African and Tupi-Guarani (the main indigenous group from the area) rhythms and melodies meets Portuguese flute traditions blended with British and American Rock and Funk sensibilities. Usually the sanfona (an accordion like squeeze box) is fairly prominent in this kind of northeastern music but I chose to downplay its importance in this particular mix in the hopes of winning over accordion-phobic listeners.
http://www.mediafire.com/file/rlmtzermyhb/funkyforro.mp3
Thursday, June 17, 2010
San Francisco, CA 2010

This is a Dance/House mix buy DJ Chendo that includes some original work by his group Guerrila Soul. Some fine cuts from an ill SF DJ. Check his site for more free mixes: http://chendotunes.com/ and if you like this stuff check out his new ensemble, Sonic Valium on Facebook. Sonic Valium blends live instrumentation, ethereal vocals and raw beats for your otherworldly satisfaction. Described as subsonic chill, ambient and shavasana beat, Sonic Valium will get you through the turbulence of everyday flight.
http://www.mediafire.com/file/2r5yzwucozi/pinkmix.mp3
Wednesday, June 9, 2010
Morro da Mangueira, Rio de Janeiro, Brazil 1978.
Paulo Moura - short film 35 mm - by Paulo Martins from Paulo Martins on Vimeo.
A short documentary about Paulo Moura. Paulo, the multi-instrumentalist and composer, who happens to be the focus of the piece, is, in my opinion, not quite as interesting as the anonymous pandeiro player who opens this piece. Got to see this guys moves to believe it. Shot in 35 mm in one of the most historic favelas in Rio, this film takes viewers back to Brazil's golden age (musically, certainly not politically).
Saturday, June 5, 2010
Words, Power and Sound: Kingston, Jamaica 60's and 70's

Here is a mix of Rocksteady, Roots Reggae and a little Dub for the hot summer nights to come....
"This Life Makes Me Wonder"- Delroy Wilson
"Purple Lights"- The Heptones
"Willow Tree"- Alton Ellis
"Please Stop Your Lying"- Errol Dunkley
"Give a Hand"- Gregory Isaacs
"Peaceful"- Jackie Edwards
"Angelina"-?????
"Born to Dub"- Soul Vendors
"Everyday is a Holiday"- The Sensations
"Declaration of Rights"- The Abyssinians
"Mr. Bassie" - Horace Andy
"Horning Version"- King Tubby
"Midnight over Ethiopia" - Rico
Here is a clip of the opening scene from the 1978 film "Words, Power and Sound." A must-see flick on the Soul Syndicate Band and Earl Chinna Smith. Incidentally, it is not all that common to see footage of classic jamaican Bands playing live from this era. The scene was and still is dominated by the dancehall, a place where one turntable and a microphone got the job done.
link
Thursday, May 13, 2010
Rio de Janeiro, Brazil; Luanda, Angola; East Oakland, CA, Los Angeles, CA and Memphis, Tennesse 2010
Tuesday, April 27, 2010

East Oakland, California 2006
I made this instrumental mixscape from vinyl when I first started working at Rudsdale High in East Oakland. I wanted to give the aspiring young rappers at the school a continuous mix of music to freestyle to. Mostly Bay Area beats and some space oddities thrown in for good measure. This one is for all my Rudsdale students and my cousins, Nick and Chris.
link
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